How global are the issues that affect the U.S. music industry? On this episode, Portia sits on a panel moderated by Jay Mogis (QUT/Nightlife) with Lynne Small (PPCA), Richard Burgess (A2IM), Paul Pacifico (AIM), Dylan Pellett (IMNZ) and Matt Rogers (UNFD) to discuss key developments in the copyright environment affecting the indies both here and in international markets. The group explores a diverse range of topics including: safe harbour and why you should care; EU copyright directive – what does that even mean?; recognition of sound recordings in the US – will it ever happen?; Joint collection societies and more. This panel was recorded at AIR’s Indie-Con in Australia.
In 1985, Mark Robinson sent a letter to Ian MacKaye asking about how to press vinyl records. The year earlier, he founded Teen-Beat Records in Arlington, Virginia. Initially, only one copy of each release existed. Now, the label has over 200 releases under its belt and has shaped the D.C. independent music scene alongside MacKaye’s punk label Dischord. Both Mark and Ian join us on this episode to talk Teen-Beat, D.C., and more.
We talk a lot on this show about issues that affect musicians and the creative community, so how can people get involved and actually make a difference? For the last three years, the Recording Academy has led a grassroots campaign to mobilize the music community. Through their District Advocate day (formerly GRAMMYs in My District), artists have an opportunity to make an impact on music policy by speaking directly with their legislator. This year, District Advocate day falls on October 18th.
Recently, a bill was introduced by Republican congressman Jim Sensenbrenner which calls for the creation of a comprehensive database of compositions and recordings. The “Transparency in Music Licensing and Ownership Act” claims to make things easier for coffee shops, bars and restaurants who want to license music to play in their establishments. To many in the music industry, the bill seems like a wolf in sheep’s clothing with the potential cause big problems. On this episode we dig deep into the bill with Future of Music Coalition’s Kevin Erickson and attorney Chris Castle.
People often say that if you make good music, the fans will follow. So does good music rise to the top? And what is the top? On this episode, we talk with Jes Skolnik, managing editor at Bandcamp. Through Bandcamp Daily, Jes makes a point to highlight lesser-known artists who might be overlooked by outlets like Pitchfork or Rolling Stone. We also hear from Public Display PR’s Sierra Haager, whose goal through her boutique PR agency is to get high-profile coverage for indie bands.
The internet is a vital tool for artists, but without the protections that ensure a level playing field, creators’ ability to earn a living comes under threat. On today’s episode, we dive into the murky waters of net neutrality, copyright, and tech giants. We hear from Thirsty Ear Recordings Peter Gordon about why musicians should care about net neutrality. This point is echoed by Evan Greer of Fight for the Future, who goes on to explain the organization’s controversial stance on copyright. Finally, Deerhoof’s Greg Saunier shares his opinion on tech giants like Google and why musicians are so mad at YouTube.