As long as there’s been music, there’s been music criticism. Like many professions, music review has been indelibly changed by the Internet. For a while, a numerical rating on Pitchfork could make or break a band, and lead to a sold out album. Blogs and social media emerged, and suddenly, truly everyone was a critic.
Greg Kot (Sound Opinions)
Jim DeRogatis (Sound Opinions)
Julianne Escobedo Shepherd (Jezebel)
Bob Ham (Paste)
Ben Ratliff (New York Times)