What is the Music Modernization Act and how could it impact songwriters? On this episode we hear from people who have worked on this new bill and those whose livelihoods will be affected if it passes. David Israelite, President and CEO of the NMPA explains who the key players are and clears up some common misunderstandings surrounding the MMA. We also hear from RIAA President Mitch Glazier about the timeline of the act, and Blake Morgan (#IRespectMusic) shares pros and cons from an artists’ perspective.
Playlists have been a huge driver in the growth of streaming music, and platforms like Spotify are pushing their curated playlists more than ever. On this episode we hear from Garrison Snell, who built his company, Crosshair, around getting curators compensated. We’re also joined by journalist Cherie Hu, who has written about music curation models for Forbes. Walt Lilly, the curator behind the Apollo Playlist brand gives us an idea of what goes into a successful playlist.
Writer Liz Pelly has spent the last year discussing how streaming services like Spotify and the rise of playlisting affect our the health of our music industry. She joins us on the show to break down her recent piece in The Baffler Magazine, “The Problem with Muzak.” We’ll also hear from Peter Harris, founder of Resonate, a cooperatively owned streaming service based on a stream-to-own model built with blockchain technology.
We talked to so many remarkable people this year, so we’re looking back on some of our favorite interviews of 2017. Including: Jack Stratton (Vulfpeck), Greg Kot and Jim DeRogatis (Sound Opinions), Greg Saunier (Deerhoof).
On this episode we hear from musician Blake Morgan about starting the largest grassroots movement in music history. The #IRespectMusic campaign has been supported by creators from David Lowery to David Byrne. Morgan tells us how #IRespectMusic was inspired, why he believes musicians should be paid for their hard work, and how middle class artists have more power than they think.
The rise of streaming has bestowed the music industry with a wealth of data, but how can labels and artists leverage that data to sustain themselves in this brave new world? On this episode, recorded live from Indie-Con in Adelaide, Australia, Portia moderates a panel on streaming and data with Amy Dietz (INGrooves), Henry Compton (The Orchard), Maya Janeska (UNFD), Jane Slingo (Young Strangers), Ben Godding (AWAL/Kobalt), and James Limon (ABC).