Kleenex/LiLiPUT - Zurich, Switzerland

Kleenex LiliPUT band photo

Biography

The fact that punk rock could capture the imaginations of young people around Europe and America in the late '70's was embodied in the five-year output of Switzerland'sKleenex (later renamed Liliput). The music meant empowerment for many people to take chances and not worry about consequences. This was especially so for women like guitarist Marlene Marder and bassist Klaudia Schiff, the two constants/mainstays of the group.When punk groups began springing up in Zurich, it was a very small scene with a handful of bands that all knew each other, not many places to play and virtually no support from radio stations or the press there.

Marder(originally a saxophonist) had played with a group called the Nasal Boys. Two experimental film-makers, Schiffand drummer Lislot Ha had been bouncing around the idea of forming group before hooking up with the appropriately-named vocalist Regula Sing and a male guitarist who had much more ambitious musician plans. Marder liked what she heard from the band and was glad to step in to replace him. Indeed, the group's aim was to have fun, more than to become rich and famous. Armed with a repertoire of four-songs and three chords, Kleenexwowed the local crowds with their simple, child-like rock ditties, filled with joyful chants and nonsense words in the tradition of Little Richard's "Tutti Frutti" but musically more in the noisy, exuberant spirit of their British comradesthe Sex Pistols.Kleenex had local friends who decided to start up a label (Sunrise) where the band put out their first (self-financed) EP in 1978, which included the same four songs from their live sets ("Beri-Beri," "Ain't You," "Hedi's Head," "Nice"). The response was such that the first pressing sold out in weeks. A copy of the EP managed to get toJohn Peel, the famous English DJ, who fell in love with it and played it over and over for his radio listeners. Rough Trade got wind of their strange, wonderful music and signed the group to a record contract. Their first single ("Ain't You" and "Hedi's Head" from the EP) made a splash with the UK press and led the label to organize a group of dates around Europe with label-mates Scritti Politti and Red Krayola. Not even a year after their formation, the group was already an international sensation even though, at the time, they still held various clerical jobs back in Zurich.Coming to England, they were unimaginatively dubbed the 'Swiss Slits' by the press and made their next single ("You"/"U", 1979) with Krayola leader/Rough Trade producer Mayo Thompson. Soon, they were off headlining an English 'package tourí with local favorites like the Raincoats, Swell Maps, Subway Sect and Spizz Energi.

After the tour ended in late '79, Sing left the group to be replaced by Chrigle Freund, a recent high school dropout, much younger than the rest of the group. With the loss of their original singer and threats to destroy all their records by the tissue company, which they took their name from, the group rechristened itself as Liliput in 1980, soon adding saxist Angie Barrack to their ranks. This five-piece line up recorded their next single 'Die Matrosen/Split' with its famous nonsense cheers/shouts ('Hotch-potch, Hugger-mugger, Bow-wow, Hara-kiri!'), making a splash on the UK indie/alternative charts.Despite their success, Ha and Barrack left the group, reducing them to a trio. Their next single, 1981's politically-motivated 'Eisiger Wind' (with its Hugo Ball parody sleeve) caught the attention of noted American rock criticsRobert Christgau and Greil Marcus, who praised the innovative trio.

By the time the single was released, the band was in the middle of another personnel crisis with Freund now leaving the group. Marder and Schiff closed ranks and assembled a new band with singer Astrid Spirit, drummer Beat Schlatter and saxist Christoph Herzog. After a successful German tour, the later two left the band (though Schlatter continued to help on drums) and the group was a trio again. After four years, the group finally released a full-length album ('Liliput') for Rough Trade in 1982, leading into another tour. After another single ('The Jatz'/'You Did It', 1983), Marder and Schiff were tired, not having fun anymore and ready to quit. Spirit rallied them to do another record with an advance from Rough TradeGermany. Their second album (Some Songs, which Marder thinks is some of their best work), with various guests helping out and Spirit now playing violin, turned out to be their swan song. Spirit decided that she wanted to raise a family instead of being in a band, spelling the end of the group in late '83. Marder had her own record shop, worked at a jazz club and had a band in the late '80's called Danger Mice. Schiff returned to painting, which she had done for many flyers and sleeves for the band.Ten years later, Marder (now working for the World Wildlife Federation) and the same people behind the originalKleenex releases put out the 2-CD LiLiPut retrospective on the local Off Course label, including all of the material that the band had released. Though it received rave reviews (including a 'A' from Christgau and a spot on his year-end top 10 list), it was soon out-of-print. Collectors were paying hundreds of dollars in auctions for this material.

First Songs
First Songs

First Songs

• PART OF OUR #KRS30 PINK SERIES OF SPECIAL PRESSINGS TO CELEBRATE KILL ROCK STARS 30TH ANNIVERSARY
• HAND NUMBERED WITH A STICKER OF AUTHENTICITY

• LIMITED TO 91 COPIES

During the punk rock era of the late '70s, there were three bands comprising women who made some of the best, most adventurous, most exhilarating, and most critically derided music of the time. Two were the English bands the Slits and the Raincoats, and the third band, from Switzerland, was LiLiPUT. Fans of all three bands will argue ad infinitum as to who was the better. But one thing is for certain: LiLiPUT was an amazing band that recorded amazing music, and comparing what they accomplished to that of another band is a useless intellectual exercise. Besides, it detracts from valuable listening time.  They began with the name Kleenex until the threat of a lawsuit by corporate giant Kimberly-Clark (who had copyrighted the name Kleenex) forced them to become LiLiPUT in 1980.

What's collected here certainly belongs in the same realm as the other great, pioneering, female-dominated bands of the time. Liliput were one of the finest in their field, male or female. From their punkier singles as Kleenex to their more avant-garde developments as LiLiPUT, this compilation offers over two solid hours of great music that hasn't depreciated at all. In light of all the bands they've inspired, this stuff probably sounds even better than it did when it was first issued.

1. Ain’t You
2. Beri-Beri
3. Madness
4. Krimi
5. 1978
6. Nighttoad
7. Hedi's Head

8. Ü
9. You
10. Nice
11. DC-10
12. Die Matrosen
13. Split

14. Hitch Hike
15. Eisiger Wind
16. Igel
17. Türk
18. Wig-Wam
19. Thumblerdoll

20. Tisko
21. Turn The Table
22. Dolly Dollar
23. I Had A Dream
24. When The Cat's Away

Cat. No. KRS629
Release date: December 9, 2016

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